Act # | Time | Place | W h o | Action | Arguments | Said Text | Typed Command |
---|---|---|---|---|---|---|---|
1 | 28 | Enter | S | *say* | H | The game's afoot! | "The game's afoot! |
2 | 31 | Enter | S | *emote* | H | grins. | :grins. |
3 | 45 | Enter | S | *say* | H | So, hercule... | "So, hercule... |
4 | 53 | Enter | H | *who* | who | ||
5 | 57 | Enter | S | *say* | H | I suggest we split up and then coordinate periodically. | "I suggest we split up and then coordinate periodically. |
6 | 1:03 | Enter | S | *say* | H | a do you think? | "a do you think? |
7 | 1:09 | Enter | H | *say* | S | ok, that's fine with me. | "ok, that's fine with me. |
8 | 1:14 | Enter | S | *say* | H | What, that is, do you think? | "What, that is, do you think? |
9 | 1:29 | Enter | S | *say* | H | OK. I'll start on the upper corridor. | "OK. I'll start on the upper corridor. |
10 | 1:43 | Enter | S | *say* | H | If you learn anything startling, page me! | "If you learn anything startling, page me! |
11 | 1:45 | Enter | S | *emote* | H | smiles. | :smiles. |
12 | 1:52 | Enter | H | *say* | S | Let's split. I will then go to the lower corridor. | "Let's split. I will then go to the lower corridor. |
13 | 1:53 | Enter | S | *look* | Enter | look | |
14 | 2:06 | Enter | H | *moveto* | Enter, Lobby | lobby | |
15 | 2:07 | Enter | S | *say* | ---- | see ya. | "see ya. |
16 | 2:12 | Enter | S | *moveto* | Enter, Lobby | lobby | |
17 | 2:18 | Lobby | H | *look* | Registry | l registry | |
18 | 2:24 | Lobby | H | *read* | Registry | read registry | |
19 | 2:25 | Lobby | S | *moveto* | Lobby, UC | n | |
20 | 2:44 | UC | S | *moveto* | UC, K | k | |
21 | 3:10 | Lobby | H | *look* | Lobby | l | |
22 | 3:11 | K | S | *page* | H | I'm going to go visit the body to get a clue first off. | page hercule I'm going to go visit the body to get a clue first off. |
23 | 3:19 | K | S | walk to mona | |||
24 | 3:24 | Lobby | H | *moveto* | Lobby, LC | s | |
25 | 3:26 | K | S | *moveto* | K, UC | walk to room4 | |
26 | 3:28 | LC | S | *moveto* | UC, LC | ||
27 | 3:29 | 4 | S | *moveto* | LC, 4 | ||
28 | 3:52 | 4 | S | paeg hercule Hmmm. Looks like a gun did it. | |||
29 | 4:02 | 4 | S | paeg hercule Hmmm. Looks like a gun did her in. | |||
30 | 4:15 | 4 | S | *page* | H | Hmmm. Looks like a gun did her in. | page hercule Hmmm. Looks like a gun did her in. |
31 | 4:20 | 4 | S | *look* | Mona Lisa Vesuvio | look mona | |
32 | 4:30 | 4 | S | *look* | Ski Jacket | look ski | |
33 | 4:35 | LC | H | *page* | S | Ok, I'll go to the bar and ask the bartender. | page sherlock Ok, I'll go to the bar and ask the bartender. |
34 | 4:45 | 4 | S | *look* | Gun | look gun | |
35 | 4:49 | LC | H | *moveto* | LC, Bar | b | |
36 | 5:01 | Bar | H | *look* | Painting | l painting | |
37 | 5:15 | 4 | S | *page* | H | There's an old swiss army pistol here and a red swiss ski instructor's jacket. Oh yes, and a dead woman. | page hercule There's an old swiss army pistol here and a red swiss ski instructor's jacket. Oh yes, and a dead woman. |
38 | 5:27 | 4 | S | *moveto* | 4, LC | walk to kitchen | |
39 | 5:29 | UC | S | *moveto* | LC, UC | ||
40 | 5:30 | K | S | *moveto* | UC, K | ||
41 | 5:37 | Bar | H | *ask* | GV,`last night' | ask giuzeppe about last night | |
42 | 6:08 | K | S | draw [1] | text, black, 66, 53 | Murder Weapon: Swiss army gun | draw black text 66 53 Murder Weapon: Swiss army gun on #3665 |
43 | 6:16 | K | S | move | [1],text, black, 152, 33, Murder Weapon: Swiss army gun | move 1 86 -20 on #3665 | |
44 | 6:46 | Bar | H | *page* | David | giuzeppe told me that he saw a no-good ski instructor last night. | ' giuzeppe told me that he saw a no-good ski instructor last night. |
45 | 7:22 | Bar | H | read all from dn1 | |||
46 | 7:30 | K | S | *look* | K | look | |
47 | 7:49 | Bar | H | *compare* | dn2, dn1 | compare dn1 with dn2 | |
48 | 7:56 | K | S | *ask* | OS,`Mona Lisa Vesuvio' | ask oscar about mona | |
49 | 8:09 | K | S | *ask* | OS,`gun' | ask oscar about gun | |
50 | 8:28 | K | S | *ask* | OS,`jacket' | ask oscar about ski | |
51 | 8:39 | K | S | ask oscar about knives | |||
52 | 8:48 | K | S | *look* | K | look | |
53 | 8:56 | Bar | H | *page* | S | giuzeppe saw a ski instructor last night when he left the retaurant to the bar. | page sherlock giuzeppe saw a ski instructor last night when he left the retaurant to the bar. |
54 | 9:15 | Bar | H | *read* | dn2, all,{,0, 0,0, 0,0, 0,0, 0,1, 0,0, 0,},1 | read all from dn2 | |
55 | 9:29 | K | S | *page* | H | The cook says that the ski jacket belongs to Hans maybe. | page hercule The cook says that the ski jacket belongs to Hans maybe. |
56 | 9:40 | K | S | *moveto* | K, UC | walk to room8 | |
57 | 9:42 | 8 | S | *moveto* | UC, 8 | ||
58 | 9:56 | Bar | H | ask giuzeppe about hans. | |||
59 | 9:57 | 8 | S | *ask* | HW,`jacket' | ask hans about ski | |
60 | 10:43 | 8 | S | *page* | H | Ah. Hans was with Mona at 10PM. | page hercule Ah. Hans was with Mona at 10PM. |
61 | 11:17 | 8 | S | *page* | H | He says that her hubby saw him leave her room at 10PM. Can you get Saleve's story on that? | page hercule He says that her hubby saw him leave her room at 10PM. Can you get Saleve's story on that? |
62 | 11:27 | 8 | S | ask hans abou;t gun | |||
63 | 11:32 | 8 | S | *ask* | HW,`gun' | ask hans about gun | |
64 | 11:51 | 8 | S | walk to room 5 | |||
65 | 11:55 | Bar | H | *page* | David | How do I do to shortcut a page to sherlock? | page david How do I do to shortcut a page to sherlock? |
66 | 11:57 | 8 | S | *moveto* | 8, UC | walk to room5 | |
67 | 11:58 | 5 | S | *moveto* | UC, 5 | ||
68 | 12:12 | 5 | S | *ask* | KVS,`gun' | ask kolonel about gun | |
69 | 12:30 | 5 | S | *ask* | KVS,`Mona Lisa Vesuvio' | ask kolonel about mona | |
70 | 12:52 | 5 | S | ask kolonel about h | |||
71 | 12:54 | Bar | H | *page* | S | So i guess hans might have been the last one to see Mona alive. | 'sher So i guess hans might have been the last one to see Mona alive. |
72 | 13:14 | Bar | H | ask guizeppe about jacket | |||
73 | 13:23 | 5 | S | *page* | H | expect for her killer! | page hercule expect for her killer! |
74 | 13:24 | Bar | H | read all from dn1 | |||
75 | 13:31 | Bar | H | read all to dn1 | |||
76 | 13:39 | 5 | S | *page* | H | Anyway, so far that sounds like its right. | page hercule Anyway, so far that sounds like its right. |
77 | 14:07 | Bar | H | *compare* | dn2, dn1 | compare dn1 with dn2 | |
78 | 14:11 | 5 | S | *page* | H | The gun belongs to the Kolonel alright. He claims it was stolen last night. | page hercule The gun belongs to the Kolonel alright. He claims it was stolen last night. |
79 | 14:17 | Bar | H | read hans from dn1 | |||
80 | 14:24 | 5 | S | ask kolonel about hans | |||
81 | 14:25 | Bar | H | read hans to dn1 | |||
82 | 14:32 | Bar | H | *read* | dn2, HW, 24 | read hans from dn2 | |
83 | 14:37 | 5 | S | ask kolonel about sal | |||
84 | 14:50 | 5 | S | ask kolonel about saleve | |||
85 | 15:12 | 5 | S | *say* | ---- | Thanks anyway. | "Thanks anyway. |
86 | 15:15 | 5 | S | *emote* | ---- | smiles. | :smiles. |
87 | 15:21 | 5 | S | *moveto* | 5, UC | walk to room6 | |
88 | 15:23 | 6 | S | *moveto* | UC, 6 | ||
89 | 15:35 | Bar | H | read colonal from dn2 | |||
90 | 15:39 | 6 | S | *moveto* | 6, UC | walk to room5 | |
91 | 15:40 | 5 | S | *moveto* | UC, 5 | ||
92 | 15:42 | Bar | H | *read* | dn2, KVS, 18 | read colonel from dn2 | |
93 | 15:55 | 5 | S | ask kolonel about giuz | |||
94 | 16:14 | 5 | S | *page* | H | Ah - what was it giuzeppe said? | page hercule Ah - what was it giuzeppe said? |
95 | 16:22 | 5 | S | *moveto* | 5, UC | walk to room6 | |
96 | 16:24 | 6 | S | *moveto* | UC, 6 | ||
97 | 16:30 | Bar | H | *page* | S | Do you know who that student is, that the colonel speak about? | ' Do you know who that student is, that the colonel speak about? |
98 | 16:42 | 6 | S | *page* | H | Not yet. | page hercule Not yet. |
99 | 17:09 | 6 | S | *page* | H | Probably Lisa Jones. The only english name. | page hercule Probably Lisa Jones. The only english name. |
100 | 17:23 | 6 | S | *ask* | LS,`gun' | ask lucie about gun | |
101 | 17:25 | Bar | H | *read* | dn2, GV, 1 | read giuzeppe from dn2 | |
102 | 17:31 | 6 | S | *ask* | LS,`jacket' | ask lucie about ski | |
103 | 17:41 | 6 | S | ask lucie about giuz | |||
104 | 17:51 | 6 | S | ask lucie about jac | |||
105 | 18:04 | 6 | S | ask lucie about jacques | |||
106 | 18:05 | Bar | H | *page* | S | Guizeppe said that he saw a no-good ski instructor looking suspicious in the corridor. | ' Guizeppe said that he saw a no-good ski instructor looking suspicious in the corridor. |
107 | 18:27 | 6 | S | ask lucie about hans | |||
108 | 18:42 | 6 | S | *page* | H | Ah. Rht. Hans, I think. | page hercule Ah. Rht. Hans, I think. |
109 | 18:56 | Bar | H | *ask* | GV,`gun' | ask giuzeppe about gun | |
110 | 19:04 | 6 | S | *moveto* | 6, UC | walk to room7 | |
111 | 19:05 | 7 | S | *moveto* | UC, 7 | ||
112 | 19:16 | Bar | H | ask guizeppe about mona | |||
113 | 19:16 | 7 | S | *look* | Heidi Zeller | look heidi | |
114 | 19:26 | 7 | S | *say* | ---- | Uh huh. | "Uh huh. |
115 | 19:31 | 7 | S | ask heidi about hans | |||
116 | 19:34 | Bar | H | ask Guizeppe about Mona | |||
117 | 19:41 | 7 | S | ask hiedi about giuzeppe | |||
118 | 19:52 | 7 | S | ask heidi about giuzeppe | |||
119 | 20:00 | 7 | S | *ask* | HZ,`Mona Lisa Vesuvio' | ask heidi about mona | |
120 | 20:12 | 7 | S | *emote* | ---- | hmms. | :hmms. |
121 | 20:16 | 7 | S | *ask* | HZ,`jacket' | ask heidi about ski | |
122 | 20:30 | Bar | H | *page* | S | Do you know at what time the colonel left for the bar? | ' Do you know at what time the colonel left for the bar? |
123 | 21:01 | 7 | S | oaeg hercule Oh shoot! I forgot that we could ask about last night | |||
124 | 21:23 | 7 | S | *page* | H | Oh shoot. I forgot that we could ask about last night. Back to work. | 'hercule Oh shoot. I forgot that we could ask about last night. Back to work. |
125 | 21:32 | 7 | S | *ask* | HZ,`last night' | ask heidi about last night | |
126 | 21:59 | 7 | S | walk to room 8 | |||
127 | 21:59 | Bar | H | *moveto* | Bar, LC | join lisa | |
128 | 22:01 | 3 | H | *moveto* | LC, 3 | ||
129 | 22:06 | 7 | S | *moveto* | 7, UC | walk to room8 | |
130 | 22:08 | 8 | S | *moveto* | UC, 8 | ||
131 | 22:11 | 3 | H | *ask* | LJ,`last night' | ask lisa about last night | |
132 | 22:22 | 8 | S | *ask* | HW,`last night' | ask hans about last night | |
133 | 22:38 | 3 | H | *ask* | LJ,`Mona Lisa Vesuvio' | ask lisa about Mona | |
134 | 22:40 | 8 | S | *moveto* | 8, UC | walk to room5 | |
135 | 22:41 | 5 | S | *moveto* | UC, 5 | ||
136 | 22:57 | 5 | S | *ask* | KVS,`last night' | ask kolonel about last night | |
137 | 23:15 | 3 | H | *moveto* | 3, LC | join jacques | |
138 | 23:17 | Bar | H | *moveto* | LC, Bar | ||
139 | 23:20 | 5 | S | *page* | H | K went to the bar around 8. | page hercule K went to the bar around 8. |
140 | 23:47 | 5 | S | draw [2] | text, black, 66, 75 | Access to weapon AFTER 8 and BEFORE 9PM | draw black text 66 75 Access to weapon AFTER 8 and BEFORE 9PM on #3665 |
141 | 23:58 | Bar | H | *page* | S | that means his gun might have been taken after that time. | ' that means his gun might have been taken after that time. |
142 | 24:04 | 5 | S | move | [2],text, black, 196, 60, Access to weapon AFTER 8 and BEFORE 9PM | move 2 130 -15 on #3665 | |
143 | 24:07 | Bar | H | *ask* | JS,`last night' | ask jacques about last night | |
144 | 24:34 | 5 | S | *page* | H | Yep. Assuming he didn't do itit would have to have been stolen between 8 and 9 | page hercule Yep. Assuming he didn't do itit would have to have been stolen between 8 and 9 |
145 | 24:50 | 5 | S | *read* | dn1, LS, 24 | read lucie from dn1 | |
146 | 25:16 | Bar | H | *read* | dn2, GV, 17 | read giuzeppe from dn2 | |
147 | 25:21 | 5 | S | *moveto* | 5, UC | walk to room6 | |
148 | 25:22 | 6 | S | *moveto* | UC, 6 | ||
149 | 25:34 | 6 | S | *ask* | LS,`last night' | ask lucie about last night | |
150 | 26:17 | Bar | H | *page* | S | jacques told me that the people from the retaurant came to the bar at 10:00. | ' jacques told me that the people from the retaurant came to the bar at 10:00. |
151 | 26:28 | 6 | S | paeg hercule Hmm. Lucie and Heidi seem to be each other's alibis. Together after 7:30. | |||
152 | 26:38 | Bar | H | *read* | dn2, HW, 24 | read hans from dn2 | |
153 | 26:58 | 6 | S | *page* | H | Hmm. Lucie and Heidi seem to be each other's alibis. Together after 7:30. | ' Hmm. Lucie and Heidi seem to be each other's alibis. Together after 7:30. |
154 | 27:13 | 6 | S | read jacques from dn2 | |||
155 | 27:50 | 6 | S | walk to restraunt | |||
156 | 27:58 | 6 | S | *moveto* | 6, UC | walk to restaurant | |
157 | 28:00 | Resto | S | *moveto* | UC, Resto | ||
158 | 28:09 | Bar | H | *page* | S | the time is the same between hans and giuzeppe (they saweach other around 10pm). | ' the time is the same between hans and giuzeppe (they saweach other around 10pm). |
159 | 28:11 | Resto | S | *read* | sign | read sign | |
160 | 28:27 | Bar | H | *read* | dn2, all,{,0, 0,1, 0,24, 0,18, 26, 17, 3,0, 0,},1 | read all from dn2 | |
161 | 28:50 | Resto | S | *page* | H | Hmm. | page hercule Hmm. |
162 | 29:27 | Bar | H | *moveto* | Bar, LC | join rolf | |
163 | 29:28 | 1 | H | *moveto* | LC, 1 | ||
164 | 29:31 | Resto | S | *page* | H | Can we get together to talk for a moment? | page hercule Can we get together to talk for a moment? |
165 | 29:47 | 1 | H | *page* | S | ok, I'm joining you. | ' ok, I'm joining you. |
166 | 29:52 | 1 | H | *moveto* | 1, LC | join sherlock | |
167 | 29:54 | UC | H | *moveto* | LC, UC | ||
168 | 29:55 | Resto | H | *moveto* | UC, Resto | ||
169 | 29:58 | Resto | S | *emote* | H | smiles. | :smiles. |
170 | 30:01 | Resto | S | *say* | H | Hi. | "Hi. |
171 | 30:08 | Resto | H | *say* | S | hi | "hi |
172 | 30:12 | Resto | S | *say* | H | So to sort of sum up so far... | "So to sort of sum up so far... |
173 | 30:24 | Resto | S | *say* | H | Hans was sleeping with Mona | "Hans was sleeping with Mona |
174 | 30:33 | Resto | S | *say* | H | And Heidi was interested in Hans. | "And Heidi was interested in Hans. |
175 | 30:47 | Resto | S | *say* | H | Motive for Heidi. But she has an alibi. | "Motive for Heidi. But she has an alibi. |
176 | 31:03 | Resto | S | *say* | H | Motive for Giuzeppe. ANy alibi? | "Motive for Giuzeppe. ANy alibi? |
177 | 31:16 | Resto | H | *say* | S | let's write these information on the whiteboard. | "let's write these information on the whiteboard. |
178 | 31:36 | Resto | H | *say* | S | I'll do it. | "I'll do it. |
179 | 31:48 | Resto | S | *say* | H | Go ahead. | "Go ahead. |
180 | 31:53 | Resto | S | *emote* | H | motions to you. | :motions to you. |
181 | 32:17 | Resto | H | draw [3] | text, black, 59, 105 | Heidi interested in Hans | draw black text 59 105 Heidi interested in Hans on #3665 |
182 | 32:28 | Resto | H | move | [3],text, black, 132, 95, Heidi interested in Hans | move 3 73 -10 on #3665 | |
183 | 32:36 | Resto | S | *say* | H | Whit you write, I'll ask one more Q of Oscar | "Whit you write, I'll ask one more Q of Oscar |
184 | 32:41 | Resto | S | *moveto* | Resto, K | walk to kitchen | |
185 | 32:50 | K | S | aocar about last night | |||
186 | 33:01 | Resto | H | draw [4] | text, black, 133, 117 | Hans sleeping with Mona | draw black text 133 117 Hans sleeping with Mona on #3665 |
187 | 33:02 | K | S | *ask* | OS,`last night' | ask oscar about last night | |
188 | 33:19 | Resto | H | draw [5] | arrow, black, 219, 103, 258, 103 | draw black arrow 219 103 258 103 on #3665 | |
189 | 33:27 | K | S | *moveto* | K, UC | walk to lobby | |
190 | 33:29 | Lobby | S | *moveto* | UC, Lobby | ||
191 | 33:36 | Resto | H | draw [6] | text, black, 370, 105 | Motive for Heidi | draw black text 370 105 Motive for Heidi on #3665 |
192 | 33:39 | Lobby | S | *ask* | MS,`last night' | ask marie about last night | |
193 | 33:42 | Resto | H | move | [6],text, black, 316, 103, Motive for Heidi | move 6 -54 -2 on #3665 | |
194 | 34:02 | Resto | H | *compare* | dn2, dn1 | compare dn1 with dn2 | |
195 | 34:04 | Lobby | S | *read* | phone log | read phone log | |
196 | 34:14 | Resto | H | *read* | dn2, LS, 25 | read lucie from dn2 | |
197 | 34:50 | Lobby | S | *moveto* | Lobby, UC | walk to kitchen | |
198 | 34:52 | K | S | *moveto* | UC, K | ||
199 | 34:58 | Resto | H | draw [7] | text, black, 316, 170 | Alibi for Heidi : Lucie | draw black text 316 170 Alibi for Heidi : Lucie on #3665 |
200 | 35:06 | Resto | H | draw [8] | arrow, black, 309, 116, 309, 157 | draw black arrow 309 116 309 157 on #3665 | |
201 | 35:19 | K | S | *moveto* | K, Resto | join hercule | |
202 | 35:38 | Resto | H | *read* | dn2, HZ, 11 | read heidi from dn2 | |
203 | 36:30 | Resto | S | *read* | dn1 | read dn1 | |
204 | 36:51 | Resto | H | draw [9] | text, black, 447, 128 | Neither Heidi nor Luci are the murderer. | draw black text 447 128 Neither Heidi nor Luci are the murderer. on #3665 |
205 | 36:58 | Resto | S | *compare* | dn1, dn2 | compare dn1 with dn2 | |
206 | 36:59 | Resto | H | move | [9],text, black, 492, 137, Neither Heidi nor Luci are the murderer. | move 9 45 9 on #3665 | |
207 | 37:08 | Resto | H | draw [10] | arrow, black, 328, 137, 368, 137 | draw black arrow 328 137 368 137 on #3665 | |
208 | 37:43 | Resto | H | read giuzeppe frome dn2 | |||
209 | 37:52 | Resto | H | *read* | dn2, GV, 17 | read giuzeppe from dn2 | |
210 | 38:14 | Resto | S | *read* | dn1, GV, 17 | read giuzeppe from dn1 | |
211 | 38:59 | Resto | H | *read* | dn2, OS, 27 | read oscar from dn2 | |
212 | 39:05 | Resto | S | read rolf from dn1 | |||
213 | 39:29 | Resto | S | *say* | H | we need to see if the loretans can verify Giuzeppe's alibi. | "we need to see if the loretans can verify Giuzeppe's alibi. |
214 | 39:36 | Resto | H | *page* | S | Did you get something from Oscar? | ' Did you get something from Oscar? |
215 | 39:51 | Resto | S | *read* | dn1, OS, 27 | read oscar from dn1 | |
216 | 40:05 | Resto | H | read rolf from dn2 | |||
217 | 40:24 | Resto | H | *page* | S | I'll join Rolf, ok? | ' I'll join Rolf, ok? |
218 | 40:35 | Resto | S | *say* | H | ok. | "ok. |
219 | 40:41 | Resto | H | join Rolf. | |||
220 | 40:54 | Resto | H | *moveto* | Resto, UC | join Rolf | |
221 | 40:56 | LC | H | *moveto* | UC, LC | ||
222 | 40:57 | 1 | H | *moveto* | LC, 1 | ||
223 | 41:08 | 1 | H | *ask* | RL,`last night' | ask rolf about last night | |
224 | 41:17 | Resto | S | *look* | Resto | look | |
225 | 41:28 | Resto | S | *read* | sign | read sign | |
226 | 41:39 | Resto | S | *moveto* | Resto, UC | walk to private | |
227 | 41:40 | LC | S | *moveto* | UC, LC | ||
228 | 41:42 | Priv | S | *moveto* | LC, Priv | ||
229 | 41:55 | Priv | S | *say* | ---- | Ah ha! | "Ah ha! |
230 | 42:00 | Priv | S | *read* | Insurance Contract | read insurance contract | |
231 | 42:03 | 1 | H | *ask* | RL,`Mona Lisa Vesuvio' | ask rolf about mona | |
232 | 42:14 | 1 | H | *who* | who | ||
233 | 42:26 | 1 | H | *ask* | CL,`last night' | ask claire about last night | |
234 | 42:47 | Priv | S | *emote* | ---- | hhhms. | :hhhms. |
235 | 42:59 | 1 | H | *page* | S | Claire briefly went to her room when the restaurant closed. | ' Claire briefly went to her room when the restaurant closed. |
236 | 43:04 | Priv | S | *moveto* | Priv, LC | walk to bar | |
237 | 43:06 | Bar | S | *moveto* | LC, Bar | ||
238 | 43:17 | Bar | S | *look* | Painting | look painting | |
239 | 43:49 | Bar | S | *moveto* | Bar, LC | walk to room2 | |
240 | 43:51 | 2 | S | *moveto* | LC, 2 | ||
241 | 44:05 | 1 | H | *read* | dn2, OS, 27 | read oscar from dn2 | |
242 | 44:26 | 2 | S | draw [11] | text, black, 114, 284 | Motive -- Insureance policy from Mona to Oscar? | draw black text 114 284 Motive -- Insureance policy from Mona to Oscar? on #3665 |
243 | 44:34 | 2 | S | move | [11],text, black, 211, 225, Motive -- Insureance policy from Mona to Oscar? | move 11 97 -59 on #3665 | |
244 | 45:03 | 2 | S | *page* | H | can rolf back up G's alibi thought? | ' can rolf back up G's alibi thought? |
245 | 45:07 | 2 | S | *page* | H | though. | ' though. |
246 | 45:25 | 2 | S | *look* | 2 | look | |
247 | 45:52 | 2 | S | *moveto* | 2, LC | walk to room4 | |
248 | 45:54 | 4 | S | *moveto* | LC, 4 | ||
249 | 45:55 | 1 | H | *page* | S | Rolf says he didn't find the Saleves in the kitchen at 8:30, but Oscar says he didn't leave until 10:30. | ' Rolf says he didn't find the Saleves in the kitchen at 8:30, but Oscar says he didn't leave until 10:30. |
250 | 46:15 | 1 | H | read gui from dn2 | |||
251 | 46:24 | 1 | H | read guizeppe from dn2 | |||
252 | 46:47 | 1 | H | *read* | dn2, GV, 17 | Read Giuzeppe from dn2 | |
253 | 46:58 | 4 | S | *read* | dn1, JS, 1 | read jacques from dn1 | |
254 | 47:25 | 1 | H | *read* | dn2, RL, 3 | read rolf from dn2 | |
255 | 48:08 | 1 | H | *page* | S | Rolf does not say if Guizeppe was with them in the bar. | ' Rolf does not say if Guizeppe was with them in the bar. |
256 | 48:08 | 4 | S | *read* | dn1, GV, 17 | read giuzeppe from dn1 | |
257 | 49:08 | 4 | S | read rolf from dn2 | |||
258 | 49:16 | 4 | S | *moveto* | 4, LC | join hercule | |
259 | 49:19 | 1 | S | *moveto* | LC, 1 | ||
260 | 49:39 | 1 | S | *compare* | dn1, dn2 | compare dn1 with dn2 | |
261 | 49:47 | 1 | S | *read* | dn1, RL, 3 | read rolf from dn1 | |
262 | 50:00 | 1 | H | *compare* | dn2, dn | compare dn1 with dn2 | |
263 | 50:41 | 1 | H | *read* | dn2, CL, 1 | read claire from dn2 | |
264 | 51:00 | 1 | S | *say* | H | Hercule? | "Hercule? |
265 | 51:11 | 1 | H | *say* | S | Yes? | "Yes? |
266 | 51:34 | 1 | S | *say* | H | Rolf's story is ambiguous about when Giuzeppe left the bar. Don't you think? | "Rolf's story is ambiguous about when Giuzeppe left the bar. Don't you think? |
267 | 52:18 | 1 | S | read loretan from dn1 | |||
268 | 52:24 | 1 | H | *say* | S | Yes. But There is also something strange about Rolf not finding the Saleves at 8:30. | "Yes. But There is also something strange about Rolf not finding the Saleves at 8:30. |
269 | 52:34 | 1 | S | *read* | dn1, CL, 1 | read claire from dn1 | |
270 | 52:59 | 1 | S | *say* | H | Yes...but... | "Yes...but... |
271 | 53:15 | 1 | S | *say* | H | I just wato agree on one thing at a time. As for The Saleves... | "I just wato agree on one thing at a time. As for The Saleves... |
272 | 53:25 | 1 | S | *say* | H | There is an insurance policy... | "There is an insurance policy... |
273 | 53:48 | 1 | S | *say* | H | That will pay Oscar a lot of $ if the painting in the bar is stolen or damaged. | "That will pay Oscar a lot of $ if the painting in the bar is stolen or damaged. |
274 | 54:01 | 1 | S | *say* | H | The person who wrote the policy to Oscar is Mona. | "The person who wrote the policy to Oscar is Mona. |
275 | 54:16 | 1 | S | *say* | H | I'm not sure what sort of motive that would give anyone. | "I'm not sure what sort of motive that would give anyone. |
276 | 54:24 | 1 | S | *say* | H | But $ is $ | "But $ is $ |
277 | 54:50 | 1 | H | *say* | S | I don't see a motive here. | "I don't see a motive here. |
278 | 54:53 | 1 | S | ask claire about phone call | |||
279 | 55:11 | 1 | S | *say* | H | Me neither. | "Me neither. |
280 | 55:31 | 1 | S | *read* | dn1, OS, 27 | read oscar from dn1 | |
281 | 55:57 | 1 | H | *ask* | CL,`Mona Lisa Vesuvio' | ask claire about mona | |
282 | 56:20 | 1 | H | *say* | S | Let's talk about claire. | "Let's talk about claire. |
283 | 56:40 | 1 | H | *say* | S | She went to her room at 10pm. | "She went to her room at 10pm. |
284 | 56:41 | 1 | S | *say* | H | ok. | "ok. |
285 | 56:48 | 1 | S | *look* | Claire Loretan | look claire | |
286 | 57:09 | 1 | H | *say* | S | And Mona took the job Rolf was supposed to get. | "And Mona took the job Rolf was supposed to get. |
287 | 57:19 | 1 | S | *emote* | H | nods. | :nods. |
288 | 57:24 | 1 | H | *say* | S | That means she doesn't like her. | "That means she doesn't like her. |
289 | 57:48 | 1 | S | *emote* | H | nods again. | :nods again. |
290 | 58:03 | 1 | H | *say* | S | might there be a motive here? | "might there be a motive here? |
291 | 58:06 | 1 | S | *read* | dn1, RL, 3 | read rolf from dn1 | |
292 | 58:46 | 1 | S | *say* | H | Maybe. | "Maybe. |
293 | 58:52 | 1 | H | draw [12] | text, black, 202, 277 | Mona took the job rolf was supposed to get | draw black text 202 277 Mona took the job rolf was supposed to get on #3665 |
294 | 59:01 | 1 | S | *say* | H | She had motive, access and access to the gun. | "She had motive, access and access to the gun. |
295 | 59:04 | 1 | S | *say* | H | Right? | "Right? |
296 | 59:09 | 1 | S | *say* | H | She left at 8:30? | "She left at 8:30? |
297 | 59:19 | 1 | S | *say* | H | and was gone at 10ish? | "and was gone at 10ish? |
298 | 59:46 | 1 | S | *read* | dn1, CL, 1 | read claire from dn1 | |
299 | 1:00:04 | 1 | H | *say* | S | No, Rolf left at 8:30 (he says), and Claire left when the restaurant closed (et 10:00). | "No, Rolf left at 8:30 (he says), and Claire left when the restaurant closed (et 10:00). |
300 | 1:00:17 | 1 | S | *say* | H | Oh right. | "Oh right. |
301 | 1:00:40 | 1 | S | *say* | H | well, then Claire could have gotten the gun when Rolf was out. | "well, then Claire could have gotten the gun when Rolf was out. |
302 | 1:01:07 | 1 | H | read guizeppe from dn2 | |||
303 | 1:01:21 | 1 | S | *say* | H | But where was the chef, Oscar, when Rolf went to the kitchen? | "But where was the chef, Oscar, when Rolf went to the kitchen? |
304 | 1:01:22 | 1 | H | *read* | dn2, GV, 17 | read Giuzeppe from dn2 | |
305 | 1:01:33 | 1 | S | *say* | H | only 1 person can be lying... | "only 1 person can be lying... |
306 | 1:01:40 | 1 | S | *compare* | dn1, dn2 | compare dn1 with dn2 | |
307 | 1:02:05 | 1 | S | draw [13] | text, black, 125, 287 | GIUZEPPE | draw black text 125 287 GIUZEPPE on #3665 |
308 | 1:02:12 | 1 | S | move | [13],text, black, 53, 371, GIUZEPPE | move 13 -72 84 on #3665 | |
309 | 1:02:28 | 1 | S | draw [14] | text, black, 344, 473 | OSCAR | draw black text 344 473 OSCAR on #3665 |
310 | 1:02:39 | 1 | S | move | [14],text, black, 69, 523, OSCAR | move 14 -275 50 on #3665 | |
311 | 1:02:51 | 1 | S | draw [15] | text, black, 285, 368 | CLAIRE | draw black text 285 368 CLAIRE on #3665 |
312 | 1:03:13 | 1 | S | draw [16] | text, black, 288, 514 | LISA | draw black text 288 514 LISA on #3665 |
313 | 1:03:34 | 1 | S | draw [17] | text, black, 44, 394 | Jealousy? | draw black text 44 394 Jealousy? on #3665 |
314 | 1:03:43 | 1 | S | move | [17],text, black, 84, 385, Jealousy? | move 17 40 -9 on #3665 | |
315 | 1:04:00 | 1 | S | draw [18] | text, black, 298, 405 | Bitter over husband's job? | draw black text 298 405 Bitter over husband's job? on #3665 |
316 | 1:04:07 | 1 | S | move | [18],text, black, 366, 385, Bitter over husband's job? | move 18 68 -20 on #3665 | |
317 | 1:04:23 | 1 | H | *say* | S | And what about Rolf? | "And what about Rolf? |
318 | 1:04:29 | 1 | S | draw [19] | text, black, 75, 540 | Insurance thing??? | draw black text 75 540 Insurance thing??? on #3665 |
319 | 1:04:36 | 1 | S | move | [19],text, black, 127, 537, Insurance thing??? | move 19 52 -3 on #3665 | |
320 | 1:04:49 | 1 | H | *say* | S | Are you going to put him on the whiteboard? | "Are you going to put him on the whiteboard? |
321 | 1:04:56 | 1 | S | draw [20] | text, black, 499, 362 | ROLF | draw black text 499 362 ROLF on #3665 |
322 | 1:05:04 | 1 | S | *emote* | H | does | :does |
323 | 1:05:40 | 1 | H | *say* | S | He might have been bitter too. | "He might have been bitter too. |
324 | 1:06:31 | 1 | S | *say* | H | He might have. Didn't sound too bitter, but stilll. | "He might have. Didn't sound too bitter, but stilll. |
325 | 1:06:47 | 1 | S | draw [21] | text, black, 501, 385 | Bitter over job? | draw black text 501 385 Bitter over job? on #3665 |
326 | 1:06:56 | 1 | S | move | [21],text, black, 544, 381, Bitter over job? | move 21 43 -4 on #3665 | |
327 | 1:07:14 | 1 | S | draw [22] | text, black, 514, 408 | 8:30 Kitchen trip | draw black text 514 408 8:30 Kitchen trip on #3665 |
328 | 1:07:23 | 1 | S | move | [22],text, black, 550, 402, 8:30 Kitchen trip | move 22 36 -6 on #3665 | |
329 | 1:07:35 | 1 | S | draw [23] | text, black, 77, 569 | Maybe missing at 8:30? | draw black text 77 569 Maybe missing at 8:30? on #3665 |
330 | 1:07:45 | 1 | S | move | [23],text, black, 142, 554, Maybe missing at 8:30? | move 23 65 -15 on #3665 | |
331 | 1:08:04 | 1 | S | *read* | dn1, LJ, 3 | read lisa from dn1 | |
332 | 1:08:33 | 1 | S | *say* | H | AH AH! | "AH AH! |
333 | 1:08:40 | 1 | H | *say* | S | What about Rolf lying about the time he left? | "What about Rolf lying about the time he left? |
334 | 1:08:49 | 1 | S | *say* | H | Hold on. | "Hold on. |
335 | 1:08:53 | 1 | S | *say* | H | Here's a motive. | "Here's a motive. |
336 | 1:09:08 | 1 | S | *say* | H | Lisa told Mona that the painting in the bar was a fake. | "Lisa told Mona that the painting in the bar was a fake. |
337 | 1:09:25 | 1 | S | *say* | H | If Oscar was going to collect the insurance money... | "If Oscar was going to collect the insurance money... |
338 | 1:09:33 | 1 | S | *say* | H | Lisa would then stop payment. | "Lisa would then stop payment. |
339 | 1:09:42 | 1 | S | *say* | H | Mona, I mean. | "Mona, I mean. |
340 | 1:09:52 | 1 | H | *say* | S | Did Oscar heard what Lisa said? | "Did Oscar heard what Lisa said? |
341 | 1:10:19 | 1 | S | *say* | H | we don't know one way or the other yet. | "we don't know one way or the other yet. |
342 | 1:10:36 | 1 | H | *read* | dn2, LJ, 3 | read lisa from dn2 | |
343 | 1:11:05 | 1 | S | *read* | dn1, OS, 27 | read oscar from dn1 | |
344 | 1:11:08 | 1 | H | And what about that : | |||
345 | 1:11:18 | 1 | H | *say* | S | Oscar has a motive. | "Oscar has a motive. |
346 | 1:11:33 | 1 | H | *say* | S | He is not in the kitchen at 8:30. | "He is not in the kitchen at 8:30. |
347 | 1:11:47 | 1 | H | *say* | S | Did he take the gun at that time? | "Did he take the gun at that time? |
348 | 1:12:03 | 1 | S | *say* | H | maybe. But waht about closing... | "maybe. But waht about closing... |
349 | 1:12:16 | 1 | S | *read* | dn1, MS, 1 | read marie from dn1 | |
350 | 1:12:33 | 1 | H | And then, when the restaurant closed at 10:00, he went to Mona's room. | |||
351 | 1:12:49 | 1 | S | *say* | H | Ah, people left at 10... | "Ah, people left at 10... |
352 | 1:13:00 | 1 | S | *say* | H | and Marieleft at 10 too, leaving Oscar alone | "and Marieleft at 10 too, leaving Oscar alone |
353 | 1:13:18 | 1 | H | *say* | S | Yes, you got it. | "Yes, you got it. |
354 | 1:13:26 | 1 | S | *say* | H | Plus, either Oscar o is lying about the 8:30 thing. | "Plus, either Oscar o is lying about the 8:30 thing. |
355 | 1:13:39 | 1 | S | *say* | H | either Oscar or Rolf is lying, I meant to type. | "either Oscar or Rolf is lying, I meant to type. |
356 | 1:13:45 | 1 | H | *say* | S | He might have gone after 10:00 to Mona's room. | "He might have gone after 10:00 to Mona's room. |
357 | 1:13:56 | 1 | S | *say* | H | yup. | "yup. |
358 | 1:13:58 | 1 | H | *say* | S | because Hans saw Mona at 10:00. | "because Hans saw Mona at 10:00. |
359 | 1:14:23 | 1 | H | *say* | S | Isn't that a good idea? | "Isn't that a good idea? |
360 | 1:14:32 | 1 | S | *say* | H | So there's no way to know for sure if Oscar or Rolf is lying, since no one else saw either at 8:30... | "So there's no way to know for sure if Oscar or Rolf is lying, since no one else saw either at 8:30... |
361 | 1:14:37 | 1 | S | *say* | H | Oh h IS a good idea! | "Oh h IS a good idea! |
362 | 1:14:42 | 1 | S | *emote* | H | nods. | :nods. |
363 | 1:14:55 | 1 | S | *say* | H | The only question I have is the motive. | "The only question I have is the motive. |
364 | 1:15:19 | 1 | S | *say* | H | How did Oscar know that Mona knew the painting was a fake? | "How did Oscar know that Mona knew the painting was a fake? |
365 | 1:15:42 | 1 | H | *say* | S | Maybe he heard lisa. | "Maybe he heard lisa. |
366 | 1:15:49 | 1 | H | *say* | S | But how to be sure. | "But how to be sure. |
367 | 1:15:51 | 1 | S | *say* | H | Lisa told mona the day before about the fake... | "Lisa told mona the day before about the fake... |
368 | 1:15:56 | 1 | S | *emote* | H | wonders. | :wonders. |
369 | 1:16:15 | 1 | H | *say* | S | wait a minute, I've got something to check. | "wait a minute, I've got something to check. |
370 | 1:16:25 | 1 | S | *say* | H | Anyone else say anything about other people talking to Oscar? | "Anyone else say anything about other people talking to Oscar? |
371 | 1:16:26 | 1 | H | *read* | dn2, OS, 27 | read oscar from dn2 | |
372 | 1:16:36 | 1 | H | *moveto* | 1, LC | join oscar | |
373 | 1:16:38 | UC | H | *moveto* | LC, UC | ||
374 | 1:16:39 | K | H | *moveto* | UC, K | ||
375 | 1:16:45 | K | H | *ask* | OS,`painting' | ask oscar about painting | |
376 | 1:17:10 | K | H | *moveto* | K, UC | join lisa | |
377 | 1:17:12 | LC | H | *moveto* | UC, LC | ||
378 | 1:17:13 | 3 | H | *moveto* | LC, 3 | ||
379 | 1:17:27 | 3 | H | *ask* | LJ,`painting' | ask lisa about painting | |
380 | 1:17:40 | 1 | S | *moveto* | 1, LC | join hercule | |
381 | 1:17:42 | 3 | S | *moveto* | LC, 3 | ||
382 | 1:17:54 | 3 | S | *say* | H | What up? | "What up? |
383 | 1:18:22 | 3 | S | draw [24] | arrow, red, 274, 504, 112, 516 | draw red arrow 274 504 112 516 on #3665 | |
384 | 1:18:25 | 3 | H | *say* | S | I tried to ask oscar and lisa about the painting, but nothing interesting. | "I tried to ask oscar and lisa about the painting, but nothing interesting. |
385 | 1:18:50 | 3 | S | draw [25] | text, red, 200, 497 | HOW? | draw red text 200 497 HOW? on #3665 |
386 | 1:18:57 | 3 | S | *emote* | H | nods. | :nods. |
387 | 1:19:22 | 3 | S | *say* | H | One other thing... | "One other thing... |
388 | 1:19:30 | 3 | S | *say* | H | naw. | "naw. |
389 | 1:20:23 | 3 | S | *say* | H | Lisa and Jacques talked in the bar... she could have told him, and he told Pappa? | "Lisa and Jacques talked in the bar... she could have told him, and he told Pappa? |
390 | 1:20:32 | 3 | S | *say* | H | No one said anything about it though. | "No one said anything about it though. |
391 | 1:20:50 | 3 | S | *read* | dn1, KVS, 19 | read kolonel from dn1 | |
392 | 1:21:23 | 3 | H | *read* | dn2, HW, 25 | read hans from dn2 | |
393 | 1:21:45 | 3 | H | *read* | dn2, KVS, 19 | read colonel from dn2 | |
394 | 1:21:56 | 3 | S | *read* | dn1, LJ, 3 | read lisa from dn1 | |
395 | 1:22:31 | 3 | H | *who* | who | ||
396 | 1:22:54 | 3 | H | *say* | S | Ok, so it's not Lucie or Heidi, right. | "Ok, so it's not Lucie or Heidi, right. |
397 | 1:23:05 | 3 | S | *say* | H | Well, lisa *showed* mona the painting was a fake. So whoever was in the bar the day before would also have known. | "Well, lisa *showed* mona the painting was a fake. So whoever was in the bar the day before would also have known. |
398 | 1:23:24 | 3 | S | *say* | H | Right - not Lucie or Heidi. | "Right - not Lucie or Heidi. |
399 | 1:23:32 | 3 | H | *say* | S | And it is not colonel or hans, as the were together. | "And it is not colonel or hans, as the were together. |
400 | 1:23:38 | 3 | S | *say* | H | and o the kolonel because there's NO motive anywhere for him. | "and o the kolonel because there's NO motive anywhere for him. |
401 | 1:23:47 | 3 | S | *say* | H | No, they weren't together. | "No, they weren't together. |
402 | 1:23:56 | 3 | S | *say* | H | Kolonel went back to his room at 9PM | "Kolonel went back to his room at 9PM |
403 | 1:24:07 | 3 | H | *say* | S | They were between 8 and 9, the time the gun was stolen. | "They were between 8 and 9, the time the gun was stolen. |
404 | 1:24:19 | 3 | S | *say* | H | Well, it might not have been stolen! | "Well, it might not have been stolen! |
405 | 1:24:32 | 3 | S | *say* | H | we only think that because that's the kolonel's story. | "we only think that because that's the kolonel's story. |
406 | 1:24:41 | 3 | H | *say* | S | which would mean it is the colonel? | "which would mean it is the colonel? |
407 | 1:24:47 | 3 | H | *say* | S | But what motive? | "But what motive? |
408 | 1:24:48 | 3 | S | *say* | H | nod | "nod |
409 | 1:25:00 | 3 | S | But he has ZERO motive. | |||
410 | 1:25:10 | 3 | S | *say* | H | But he has ZERO motive | "But he has ZERO motive |
411 | 1:25:32 | 3 | S | *say* | H | So I bet it wasn't him. | "So I bet it wasn't him. |
412 | 1:25:43 | 3 | S | *read* | dn1, HW, 25 | read hans from dn1 | |
413 | 1:25:49 | 3 | H | *say* | S | And therefore the gun WAS stolen. | "And therefore the gun WAS stolen. |
414 | 1:25:59 | 3 | H | *say* | S | So it could not have been Hans. | "So it could not have been Hans. |
415 | 1:26:22 | 3 | S | *say* | H | Nope. Not hans. | "Nope. Not hans. |
416 | 1:26:33 | 3 | H | *say* | S | All the upper corridor is cleared. | "All the upper corridor is cleared. |
417 | 1:26:43 | 3 | S | *emote* | H | smiles. | :smiles. |
418 | 1:26:55 | 3 | S | *say* | H | Well, did Mona kill herself? | "Well, did Mona kill herself? |
419 | 1:27:06 | 3 | S | *say* | H | She couldn't have stolen the gun, could she? | "She couldn't have stolen the gun, could she? |
420 | 1:27:26 | 3 | S | *read* | dn1, GV, 17 | read giuzeppe from dn1 | |
421 | 1:27:33 | 3 | H | *say* | S | I'm just checking something. | "I'm just checking something. |
422 | 1:27:41 | 3 | H | *read* | dn2, GV, 17 | read Giuzeppe from dn2 | |
423 | 1:28:10 | 3 | S | *say* | H | No - Monda was in the restaurant till 9. | "No - Monda was in the restaurant till 9. |
424 | 1:28:11 | 3 | H | *say* | S | No, she left around 9:00. She couldn't have stolen the gun. | "No, she left around 9:00. She couldn't have stolen the gun. |
425 | 1:28:40 | 3 | S | *say* | H | So Lisa, Rolf, Claire, Giuzeppe and Jacques are still open. | "So Lisa, Rolf, Claire, Giuzeppe and Jacques are still open. |
426 | 1:28:53 | 3 | S | *say* | H | and Oscar | "and Oscar |
427 | 1:28:56 | 3 | H | *say* | S | And Oscar... | "And Oscar... |
428 | 1:29:20 | 3 | S | draw [26] | text, red, 200, 497 | JACQUES | draw red text 200 497 JACQUES on #3665 |
429 | 1:29:29 | 3 | S | move | [26],text, red, 504, 509, JACQUES | move 26 304 12 on #3665 | |
430 | 1:29:37 | 3 | S | move | [26],text, red, 504, 509, JACQUES | move 26 0 0 on #3665 | |
431 | 1:29:39 | 3 | S | move | [26],text, red, 510, 497, JACQUES | move 26 6 -12 on #3665 | |
432 | 1:29:44 | 3 | S | delete | [26],text, red, 510, 497, JACQUES | delete 26 in #3665 | |
433 | 1:30:12 | 3 | S | draw [27] | text, black, 456, 518 | JasQues | draw black text 456 518 JasQues on #3665 |
434 | 1:30:35 | 3 | S | *read* | dn1, GV, 17 | read giuzeppe from dn1 | |
435 | 1:31:17 | 3 | S | *read* | dn1, RL, 3 | read rolf from dn1 | |
436 | 1:31:53 | 3 | S | *read* | dn1, CL, 3 | read claire from dn1 | |
437 | 1:32:00 | 3 | H | *say* | S | Claire couldn't have stolen the gun between 8 and 9, could she? | "Claire couldn't have stolen the gun between 8 and 9, could she? |
438 | 1:32:29 | 3 | S | *say* | H | Well... | "Well... |
439 | 1:32:41 | 3 | S | *say* | H | Rolf was gone at 8:30...BUT | "Rolf was gone at 8:30...BUT |
440 | 1:32:54 | 3 | S | *say* | H | Giuzeppe was there. And he doesn't say she left. | "Giuzeppe was there. And he doesn't say she left. |
441 | 1:33:12 | 3 | S | *say* | H | So I think G and C are alibis for each other for the gun. | "So I think G and C are alibis for each other for the gun. |
442 | 1:33:49 | 3 | S | *say* | H | But Rolf and Claire are alibis for each other for the murder | "But Rolf and Claire are alibis for each other for the murder |
443 | 1:34:27 | 3 | H | *say* | S | No, Guizeppe is Rolf's alibi, because Claire left a few minutes. | "No, Guizeppe is Rolf's alibi, because Claire left a few minutes. |
444 | 1:35:02 | 3 | S | *say* | H | Oh yeah. | ""Oh yeah. |
445 | 1:35:18 | 3 | H | *say* | S | That leaves mainly Oscar, no? | "That leaves mainly Oscar, no? |
446 | 1:35:53 | 3 | S | *say* | H | well, yes, but also claire. And we don't know much about Lisa | "well, yes, but also claire. And we don't know much about Lisa |
447 | 1:36:34 | 3 | H | *say* | S | Claire couldn't have stolen the gun, remember. | "Claire couldn't have stolen the gun, remember. |
448 | 1:36:50 | 3 | H | *read* | dn2, LJ, 7 | read lisa from dn2 | |
449 | 1:37:07 | 3 | S | *say* | H | Well, Giuzeppe isn't a reliable witnessce he doesn't say that Rolf left, but we knowthtRolf lft anyway. | "Well, Giuzeppe isn't a reliable witnessce he doesn't say that Rolf left, but we knowthtRolf lft anyway. |
450 | 1:37:22 | 3 | S | *say* | H | So maybe Claire left too? | "So maybe Claire left too? |
451 | 1:37:33 | 3 | S | *read* | dn1, LJ, 3 | read lisa from dn1 | |
452 | 1:38:10 | 3 | S | *read* | dn1, JS, 1 | read jacques from dn1 | |
453 | 1:38:34 | 3 | H | *say* | S | Right. | "Right. |
454 | 1:38:48 | 3 | S | *say* | H | I'm going to ask Lisa som emore. | "I'm going to ask Lisa som emore. |
455 | 1:38:54 | 3 | S | walk to room3 | |||
456 | 1:39:10 | 3 | S | *say* | H | ah | "ah |
457 | 1:39:15 | 3 | S | *moveto* | 3, LC | walk to room1 | |
458 | 1:39:17 | 1 | S | *moveto* | LC, 1 | ||
459 | 1:39:25 | 3 | H | *page* | S | and I'm going to ask Jacques. | ' and I'm going to ask Jacques. |
460 | 1:39:30 | 3 | H | *moveto* | 3, LC | join jacques | |
461 | 1:39:31 | Bar | H | *moveto* | LC, Bar | ||
462 | 1:39:40 | Bar | H | *ask* | JS,`Mona Lisa Vesuvio' | ask jacques about mona | |
463 | 1:39:43 | 1 | S | ask rolf about claire | |||
464 | 1:39:58 | 1 | S | *moveto* | 1, LC | walk to bar | |
465 | 1:40:00 | Bar | S | *moveto* | LC, Bar | ||
466 | 1:40:12 | Bar | S | *page* | H | ng to ask G | ' ng to ask G |
467 | 1:40:28 | Bar | S | ask giuppe about claire | |||
468 | 1:40:34 | Bar | S | ask g about claire | |||
469 | 1:40:44 | Bar | S | *say* | H | hmm. | "hmm. |
470 | 1:41:01 | Bar | H | *ask* | JS,`last night' | ask jacques about last night | |
471 | 1:41:20 | Bar | S | *say* | H | Mutual alibis between J and Lisa | "Mutual alibis between J and Lisa |
472 | 1:41:52 | Bar | H | *say* | S | Yes, that's what I thought. | "Yes, that's what I thought. |
473 | 1:41:53 | Bar | S | *say* | H | I saw we're about ready to point the finger. | "I saw we're about ready to point the finger. |
474 | 1:42:00 | Bar | S | you say? | |||
475 | 1:42:08 | Bar | S | *say* | H | What do you say? | "What do you say? |
476 | 1:42:12 | Bar | H | *say* | S | This our job, isn't it? | "This our job, isn't it? |
477 | 1:42:30 | Bar | H | *say* | S | I said that I was thinking the same about Lisa and Jacques. | "I said that I was thinking the same about Lisa and Jacques. |
478 | 1:42:51 | Bar | S | *say* | H | well, shall we page david and tell him oscar did it? | "well, shall we page david and tell him oscar did it? |
479 | 1:44:04 | Bar | H | *say* | S | I think that he is the only one to have had a motive (insurance money), the access to the weapon (at 8:30) and the access to the murder (after 10:00). | "I think that he is the only one to have had a motive (insurance money), the access to the weapon (at 8:30) and the access to the murder (after 10:00). |
480 | 1:44:18 | Bar | H | *say* | S | Yes, I would say it's Oscar. | "Yes, I would say it's Oscar. |
481 | 1:44:26 | Bar | H | *say* | S | You can page David. | "You can page David. |